Evangelicalism is also a conversionist faith. The key crisis of life is the moment of commitment to Christ. In Woodlawn, most of the characters convert early in the film, necessarily so because the story is about the effect of the revival on race relations. But that means that the line of character development is flat. The really crucial character development has taken place in the moment of conversion. The main exception is Coach Gerelds, and not surprisingly, it’s Coach Gerelds who ends up being the dramatic focus of the film, the character whose emotions and motivations we get to know best.
Theologically speaking, character development is “sanctification.” A conversionist form of Christianity places less emphasis on sanctification than on conversion and justification. In films, that translates into drastic oversimplification of human psychology. For Evangelicals, there are only two sets of motivations, as there are two kinds of people: Saved and unsaved. While that is ultimately true, it is not the whole story.